Fleece from hardy mountain sheep arrives lanolin-rich. You skirt, wash, card, and felt, discovering textures that suit slippers, seat pads, or sculptural vessels. Discussions include breed characteristics, fair pricing for smallholders, and ways to keep subtle natural hues instead of rushing toward saturated dyes that hide beautiful variations.
Many boards come from windthrow after the fierce Vaia storm, giving practice in reading checks and orienting cuts. You compare spruce, larch, and Swiss stone pine, discuss air-drying stacks under eaves, and explore how tool marks tell truth, inviting touch instead of chasing glossy perfection.
Valley clays vary wildly, so instructors walk you through test tiles, shrinkage notes, and low-fire possibilities. Some sessions pivot to lime plasters tinted with earth pigments, burnished with spoons for quiet sheen. The conversation stretches to heritage repairs, avoiding cement traps, and celebrating small imperfections that make walls breathe again.
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